Where Are They Now: Andrew Horansky

By Frank Macek

Andrew Horansky (courtesy: LinkedIn)

If you watched WKYC during the mid-to-late 2010s, chances are you remember Andrew Horansky. With his thoughtful tone, strong on-air presence, and reporter’s instinct for the human side of the story, Horansky became a familiar face to viewers in Northeast Ohio. He joined Channel 3 in April 2015 after a long and well-traveled journalism career that took him across the country—and even overseas. At WKYC, he served as both a general assignment reporter and weekend anchor, quickly making his mark with in-depth storytelling and a knack for covering both breaking news and community features with equal skill.

Horansky brought a broad resume to Cleveland. Prior to arriving at WKYC, he had reported in Houston, Denver, and his hometown of Cincinnati. He was also known for his international reporting, including coverage from Israel, the Gaza Strip, and several countries in Central America. That global perspective, combined with a clear, calm delivery, made him a trusted presence on Cleveland airwaves. 

At WKYC, he contributed to some of the station’s most impactful journalism during that time, including coverage of major storms, high-profile criminal cases, and longform stories that gave voice to Northeast Ohioans affected by tragedy or injustice. One of his most widely recognized reports was a rare sit-down interview with Mark Mihaljevic, father of Amy Mihaljevic, the Bay Village girl whose unsolved 1989 murder remains one of the region’s most heartbreaking mysteries. That story, like many Horansky told, was marked by care, clarity, and compassion.

He was also part of a reporting team that helped WKYC earn Emmy recognition during his tenure. While not always the loudest voice in the newsroom, Horansky’s steady approach to journalism stood out in an era increasingly driven by speed and spectacle. He carried himself with professionalism, and off-camera, he was known for being collaborative and generous with colleagues, especially younger reporters.

But in 2018, after more than two decades in broadcast journalism, Horansky made a decision that surprised some of his longtime viewers—he left TV news entirely. After 22 years in the industry, he pivoted to a new chapter in his professional life: corporate communications. While that’s a path many journalists have explored, Horansky didn’t just make the move—he flourished. Today, he serves as Senior Manager of Corporate Communications at Eaton, the global power management company headquartered in Beachwood, Ohio. It’s a role that puts him at the center of Eaton’s messaging strategy, internal communications, and global storytelling.

In his current role, Horansky leads key initiatives in partnership with Eaton’s executive leadership, HR teams, and the company’s Ethics and Inclusion & Diversity functions. His focus areas include transparent reporting, strategic messaging, and global employee engagement. His team has been recognized for its work on Eaton’s Global Inclusion & Diversity Transparency Report, a document that has become a benchmark for companies aiming to back up their equity statements with data and action. He’s also helped lead communications for Eaton’s annual Sustainability Report, and has been a key figure in coordinating global town halls, operational summits, and award-winning campaigns. Under his guidance, Eaton has received accolades from PRSA, the Communicator Awards, and the Cleveland Rocks Awards for its internal and external communications efforts.

What’s striking about Horansky’s transition is how seamlessly he’s translated his storytelling ability from newsroom to boardroom. His journalistic instincts—clarity, empathy, integrity—now inform corporate narratives that reach tens of thousands of employees worldwide. He’s not one for self-promotion, but colleagues describe him as a steady presence who prioritizes team success and thoughtful messaging over flash.

It’s always interesting to watch how TV news veterans reinvent themselves, especially those who seemed destined to be lifers. In Andrew Horansky’s case, he didn’t just move on from television—he built a second act grounded in purpose and impact. While Northeast Ohio may remember him best for his time on WKYC, he’s now shaping global stories with the same care and conscience that once defined his journalism. His path serves as a powerful reminder that the skills we build in local news—listening, communicating, connecting—can resonate far beyond the anchor desk.

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Job openings at WKYC Studios & TEGNA Media Ohio for 6/25/25

By Frank Macek

WKYC Studios has these job openings available if you are looking for a rewarding career experience with us at TEGNA Media's Cleveland location. We've also now added opportunities for our sister TEGNA stations in Columbus and Toledo, Ohio courtesy of the Director's Cut Blog.

Current WKYC/Cleveland Job Openings

• Account Executive ***NEW***
• Investigative Producer 
• Meteorologist
• Multi-Skilled Journalist

Current WBNS/Columbus Job Openings

• Account Executive
• Creative Marketing Producer
• Managing Editor ***NEW***
• Multi-Skilled Journalist
• Photojournalist
• Producer

Current WTOL/Toledo Job Openings

• Account Executive
• Broadcast Director/PT 
• Multiskilled Journalist

You can also find other jobs within our parent company on the TEGNA Career Page. Please note, you must apply via the website. Mailed applications are not accepted.

Follow Frank Macek for new postings on X @MacekNewsNation or on Facebook at fb/frank.macek

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Frank's Take: How the Media—Especially Local News—Must Cover Trump and Uphold the First Amendment

By Frank Macek

There’s no getting around it—Donald J. Trump remains one of the most polarizing figures in modern American political history. From the moment he entered the political arena, he has managed to dominate headlines, spark national debates, and shift the foundation of how campaigns and presidencies are covered. Now, in 2025, with Trump once again in the spotlight amid ongoing legal battles and another presidential campaign, the media is at a crossroads.

The national press has been wrestling with how to responsibly cover Trump for nearly a decade. But this isn’t just a dilemma for CNN, Fox News, or The New York Times. Local newsrooms—TV, radio, and newspapers—must also grapple with the question: How do we cover Trump in a way that informs without inflaming, that protects democracy without compromising journalistic standards, and that fiercely defends the First Amendment in the process?

This is a challenge that must be taken seriously, because how we cover Trump going forward has deep implications for public trust, civic understanding, and the integrity of the press—especially at the local level where much of the country still gets its news.

The National Media’s Trump Problem—and What We’ve Learned

Let’s begin with some self-reflection.

The national media, over the years, helped build the Trump juggernaut—initially unintentionally. The wall-to-wall live rally coverage, the constant “breaking news” alerts for every tweet or tirade, the obsession with horse-race polling over policy—it all gave Trump a massive platform, often without context or correction.

To be fair, Trump is a former president and a current presidential candidate. He commands attention. His actions and words matter. But there’s a line between coverage and amplification, between journalism and spectacle. The national press has slowly learned that lesson—fact-checking in real time, avoiding false equivalence, and labeling lies clearly. The Trump coverage now, while still flawed, is more grounded and less reactive than it was in 2016.

But while the national media has been forced into this evolution, local media hasn’t always had the same reckoning. And that’s where the next phase of journalistic responsibility must take root.

Why Local Media Matters More Than Ever

Local media is where most Americans still encounter the news—especially in smaller towns, rural areas, and underserved communities. Local TV stations, newspapers, and radio outlets shape how people understand national stories through a local lens. That makes them more trusted—but also more vulnerable to manipulation if they’re not careful.

When Trump talks about “rigged elections,” “fake news,” or “deep state prosecutors,” he’s not just talking to national audiences. His message filters down to local communities where trust in institutions is already under strain. Local journalists are then left to field the fallout—whether that’s election deniers showing up at school board meetings or threats to local poll workers and reporters themselves.

That’s why local media has an enormous responsibility not just to report on Trump, but to contextualize him. To explain what’s happening, why it matters, and what’s true. And to do it with clarity, courage, and a commitment to democratic principles.

Editorial Independence Without Fear

Local journalists often work in smaller, tighter-knit communities. That’s a strength—but also a challenge. It’s easy to report on a rally or a political statement. It’s much harder to push back on false claims when the person repeating them might be your neighbor, your town’s mayor, or even a major advertiser.

But editorial independence must come first. The media’s job is not to appease—it’s to inform. If a candidate—any candidate—spreads misinformation, local media must have the resolve to call it out. That may invite criticism, angry letters, or even canceled subscriptions. But the cost of silence is far greater than the price of temporary backlash.

Local stations must also empower their anchors and reporters to tell the truth plainly and without euphemism. The temptation to “play it safe” or “just quote both sides” must give way to real reporting. That doesn’t mean becoming partisan—it means being precise. The truth isn’t left or right; it’s just the truth.

Avoiding the Trap of Spectacle

Trump’s political playbook is built on provocation. He knows how to drive headlines, dominate coverage, and turn criticism into currency. Local media must resist falling into that trap.

Just because Trump visits your town doesn’t mean his entire rally should air unedited. Just because he makes a shocking claim at a courthouse press conference doesn’t mean it deserves banner headlines. Instead, local newsrooms should provide context: What’s actually happening? What do the courts say? What does history tell us?

This doesn’t mean ignoring the news. Trump is newsworthy. But “newsworthy” doesn’t mean unfiltered. Coverage must be thoughtful, not reactionary. Editors must ask: Does this serve the public interest? Does it help our audience understand the story? Does it align with our standards of accuracy and integrity?

Defending the First Amendment Locally

The First Amendment doesn’t just protect the New York Times. It protects your neighborhood weekly paper. Your small-market CBS affiliate. Your local talk radio station.

And yet, Trump’s anti-press rhetoric has real consequences at the local level. Many journalists across the country—myself included—have seen increased hostility at public events, rallies, and even in the inbox. “Fake news” accusations aren’t just shouted at CNN anymore—they’re lobbed at high school sports reporters and weather anchors.

That’s why local media must not only uphold First Amendment values, but speak openly about them. Explain to your viewers why press freedom matters. Show your community how you verify information. Invite transparency. And when your newsroom is attacked unfairly, don’t retreat—respond with facts and with strength.

Our credibility isn’t just built on what we report—it’s built on how we report it and whether we defend our right to do so.

Election Coverage and the Local Lens

With another major election cycle underway, the stakes for local media couldn’t be higher. Trump is already challenging the legitimacy of the process. That means local reporters will be on the frontlines—covering everything from early voting rules to protests at ballot drop boxes.

Accuracy and transparency are critical. Local newsrooms should double down on election education: explain how voting works, how ballots are counted, how fraud claims are investigated, and what safeguards exist. Don’t just cover the horse race—cover the process.

And when misinformation surfaces—as it inevitably will—be ready. Create dedicated “Truth vs. Rumor” segments. Partner with election boards for on-air Q&As. Don’t let bad information fill a vacuum that good journalism should occupy.

Supporting Reporters and Newsrooms on the Ground

Let’s also be honest: local journalism is under-resourced. Many stations and newspapers operate with skeleton staffs. Budgets are tight. Beats are stretched. That makes quality Trump coverage harder—but not impossible.

This is the time for collaboration. National outlets should partner with local ones to share data and context. Journalism schools can help by training young reporters in political fact-checking and digital literacy. Communities themselves can support local media by subscribing, donating, or simply engaging respectfully.

Because democracy doesn’t survive on autopilot. It takes people—reporters, editors, anchors, and readers—doing the hard work every day to make it function.

Final Thoughts

Covering Donald Trump is one of the greatest challenges modern journalism has faced. But it’s also an opportunity: a chance to reaffirm what journalism is for.

Trump’s ability to provoke, mislead, and mobilize is well known. What’s less often discussed is the role local media plays in pushing back—calmly, clearly, and consistently. This isn’t about being “anti-Trump.” It’s about being pro-truth. Pro-democracy. Pro-First Amendment.

Local news outlets are the connective tissue of this country. They are where neighbors learn about each other, where school board decisions are debated, and where the national story becomes personal. That makes local media not just important—but essential.

So here’s the challenge to my fellow journalists, especially at the local level: Let’s rise to meet this moment. Let’s report boldly, factually, and fairly. Let’s protect our rights by exercising them. And let’s never forget why we do this work—not for ratings or retweets, but for the public good.

Because in the end, it’s not just our profession on the line. It’s the future of a free press—and a free country.

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WKYC Shines at the 56th Annual Great Lakes Emmy Awards

By Frank Macek

As many of you know, the 56th Annual Great Lakes Emmy Awards were held Saturday night, June 20th, 2025, in Indianapolis — and I’m thrilled to share that WKYC had a great showing where it mattered most.

Our team brought home multiple Emmy wins across several key categories, a testament to the passion, collaboration, and dedication poured into our storytelling each and every day. This recognition is more than a trophy — it’s a reflection of the hard work, heart, and humanity we put into every broadcast, feature, and community service project.

Let’s take a moment to celebrate the outstanding work and the people behind it:

🏆 Morning Newscast – Markets 1-50
“3News GO: Severe Summer Storms”
This fast-paced, real-time coverage of severe weather showcased the strength of our morning team. Congratulations to Executive Producer Jennifer Jordan, Producers Ryan Haidet, Anna Meyer, Alanna Dick, Anchors Danita Harris and Dave Chudowsky, Meteorologist Matt Wintz, Reporter Candice Hare, Editors Robert Moore and Jarrod Evangelist.

🏆 Evening Newscast – Markets 1-50
“3News at 6: Remembering Jamieson Ritter”
This emotional and well-executed tribute was a powerful example of local journalism at its best. Kudos to News Director Jonathan Adkins, Assistant News Director Julie Flynn, Executive Producers Monique Zappa and Meg Hambach, Producer Dave DeNatale, Director Frank Macek, Reporters Annabelle Childers and Lindsay Buckingham, Photographer Matthew Lawrence, and Craig Roberson.

🏆 Anchor: Weather – 2024 Tornado Coverage
Our very own Chief Meteorologist Betsy Kling took home the Emmy for her trusted and calm presence during our coverage of last year’s tornadoes. Betsy continues to set the standard for excellence in weather broadcasting.

🏆 Community Service
“Education Station”
This win honors the tireless community efforts of Margaret Bernstein, whose commitment to literacy and education impacts lives far beyond the screen.

🏆 News Feature – Serious Feature Single Report
“A Dinner Party in Prison”
A compelling and deeply human story, powerfully told by Isabel Lawrence and Chris Blake.

🏆 News Feature – Serious Feature Multiple Reports
“Our Sons Should Be Here”
This heart-wrenching series took home the Emmy for its raw honesty and emotional depth. Congrats to Lindsay Buckingham, Jessica Miller, Kelsey Frew, and John Heberle.

🏆 Human Interest – News (Single Shift)
“Liam’s Wish”
A touching and beautifully produced story by Monica Robins that reminds us why we do what we do.

It’s nights like these that make you pause and remember how impactful local journalism can be. I couldn’t be prouder to be part of this team — a team that consistently shows what it means to inform, inspire, and serve.

Congratulations to all the winners and nominees. Your work is making a difference.

CLICK HERE for a full list of this year's winners.

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Frank's Take: The Era of the TV News Legend Is Fading—But Not Gone Yet

By Frank Macek

Depiction of Walter Cronkite, Tom Brokaw & Peter Jennings

For decades, every city had one. The trusted face. The commanding voice. The name you instinctively turned to in times of crisis or celebration. They were the TV news legends—local anchors whose presence in living rooms was as familiar as family. But in 2025, as media habits shift and generations change, we have to ask: Is the era of the TV news legend over?

The short answer? Probably.

Local TV anchors once held a unique position in American culture. They weren’t just broadcasters; they were institutions. Think of Walter Cronkite at the national level or names like Dick Goddard, Doug Adair, and Romona Robinson in Cleveland. These were journalists who stayed rooted in one city, building long-term trust with their communities over decades. When they retired, it wasn’t just a career milestone—it was a cultural event.

Take WKYC in Cleveland, for example. Over the years, the station has been home to some of Northeast Ohio’s most iconic broadcast figures. Jay Miltner, the voice of Channel 3 for decades, brought gravitas and trust to every newscast. Doug Adair and Mona Scott formed one of the region’s most memorable anchor duos, commanding both respect and ratings. Later, Romona Robinson broke barriers as the first African American woman to anchor a nightly newscast in Cleveland. These weren’t just newscasters—they were symbols of stability and trust.

WKYC's legacy is rich with personalities who shaped the station’s identity and connected deeply with viewers. Al Roker, now a national figure on NBC’s "Today" show, got his start at WKYC. Leon Bibb, a revered voice in Cleveland journalism, also passed through Channel 3’s doors, later finishing his primary anchor career at WEWS before returning to WKYC, where he currently contributes special commentary and reflections on community issues. And more recently, Russ Mitchell, a former CBS anchor, brought national-level gravitas to the WKYC anchor desk, continuing that tradition of earned trust.

But today, that model is shifting. Part of the reason is generational. Viewers under 40 consume news differently. They don’t sit down for 6 p.m. broadcasts; they scroll headlines on phones, watch clips on TikTok, or get push alerts from apps. Loyalty to an individual anchor is rare when your main news source is a rotating feed of content.

Another factor is industry turnover. Budget cuts, burnout, and corporate consolidation mean fewer anchors stay in one market long enough to become legends. Many stations now prioritize versatility over tenure—favoring journalists who can report, shoot, edit, and post across platforms. It’s a necessary adaptation in a competitive landscape, but it also makes it harder to build the kind of deep audience connection that used to define local news.

Even at WKYC, where the station’s brand has long been associated with credibility, the emphasis has expanded. Anchors are now encouraged to build their own social media presence, interact with viewers online, and promote stories across digital platforms. While this increases reach, it also fragments attention. A newscast used to be a destination. Now, it’s just one node in a complex web of content.

The rise of digital-first branding adds to the shift. Modern anchors are expected to be social media personalities, content creators, and brand ambassadors. That’s a lot to juggle. For some, the constant pressure to be visible and engaging across multiple platforms undercuts the gravitas that once came with the job. It’s difficult to cultivate the quiet authority of a Doug Adair when you’re also expected to go viral on Instagram.

And yet—despite all this—audiences still crave trust.

In moments of crisis, viewers don’t want a trending TikTok; they want clarity, compassion, and credibility. This is where the spirit of the TV news legend still flickers. During major weather events, breaking tragedies, or civic milestones, local anchors can still rise to the moment—bringing context, calm, and consistency. WKYC’s response during major snowstorms, political unrest, and public health emergencies has demonstrated that the anchor desk still matters. Viewers still tune in when it counts.

So is the era over completely? Not quite. But it is evolving.

The next generation of TV news legends won’t look exactly like those who came before. They might not have 30-year tenures, but they will have cross-platform influence. They might not be household names across an entire DMA, but they could command fierce loyalty within niche or digital-first audiences. They will still matter—but in different ways.

Consider someone like Betsy Kling at WKYC. As Chief Meteorologist and anchor, she’s become one of the station’s most recognizable and trusted voices. But her presence isn’t limited to the weather segment. She’s part of WKYC’s digital storytelling strategy, engages with viewers on social media, and contributes to long-form content on streaming platforms like WKYC+. She represents the hybrid model of the modern TV news figure—part journalist, part brand, all credible.

This hybrid model is both a challenge and an opportunity. It demands more from journalists but also opens new doors for connection. Stations like WKYC are experimenting with streaming content, podcasting, and community-driven initiatives like the "Heartstrings" series, which reflects the emotional core of Cleveland’s stories. These are modern forms of local legend-building—even if they don’t always look like the 6 o’clock news of yesteryear.

At the same time, the loss of long-term institutional memory is real. When anchors leave after a few years, there’s less continuity. The audience must re-learn who they trust, and that process takes time. It’s no coincidence that many viewers still gravitate toward legacy names, even in retirement. There’s a reason why old clips of Dick Goddard forecasts still circulate online—they represent a kind of steady assurance that’s harder to come by in today’s fast-moving media ecosystem.

Ultimately, the TV news legend isn’t just a relic of the past. It’s a symbol of something we still need: journalists who stay, who listen, and who reflect their communities with integrity. The format may change. The platforms may shift. But the value of trust, presence, and authenticity? That’s timeless.

As local news continues to evolve, the path to legend status will look different. It might come from a mix of live coverage, digital engagement, community involvement, and resilience in the face of shrinking newsrooms. It won’t be easy, and it won’t follow the same script—but it’s still possible.

So, is the era of the TV news legend over?

No. It’s being rewritten—at stations like WKYC and across America. The legends of tomorrow may not sit behind the same desk for 30 years, but they’ll still be the voices we trust when it matters most.

And that’s the legacy worth preserving.

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Inside WKYC: Meet the Digital Storytellers Powering WKYC.com & Our WKYC Apps

By Frank Macek

When viewers think of WKYC, they often picture the familiar faces of our anchors, the sharp forecasts from our weather team, or reporters live on the scene of breaking news. But behind every headline you read on WKYC.com, every push alert that lights up your phone, and every social media post keeping you in the know on Facebook, X, Instagram or Tik Tok there’s a team of digital content producers making it all happen.

These are the journalists who work off-camera but are no less vital to the stories we tell. They’re editors, writers, curators, and producers—fueled by urgency, accuracy, and a love for keeping Northeast Ohio informed.

In this post, I want to introduce you to the team of digital storytellers at WKYC Studios who bring the web to life—seven days a week, 365 days a year.

Brandon Simmons

Brandon Simmons – 3News Director of Digital Content

At the helm of WKYC’s digital operation is Brandon Simmons, our 3News Director of Digital Content. Brandon leads the team that drives our storytelling across all platforms—from the home page to your mobile screen to every social media feed we reach.

With a background in reporting and multimedia journalism, Brandon brings a unique understanding of how to blend traditional news values with forward-thinking digital strategy. He works across teams to set the tone for coverage, oversee breaking news efforts, and guide WKYC’s digital innovation.

Brandon is instrumental in shaping how WKYC tells stories in the modern era—whether that means managing live digital coverage of breaking events or mentoring the next wave of digital producers. His leadership is the reason WKYC.com remains one of Northeast Ohio’s most trusted and visited news sources.

Ryan Haidet

Ryan Haidet – Digital Managing Editor

As WKYC’s Digital Managing Editor, Ryan Haidet is the driving force behind how we plan, write, and present stories across our digital platforms. From homepage features to headline strategy, Ryan ensures every piece of content meets our editorial standards—and connects with our audience.

He’s a pro at navigating big news days and quirky viral stories alike. Whether we’re tracking lake-effect snow, posting power outage maps, or revisiting local legends, Ryan helps shape the voice of WKYC Studios in the digital space.

He also works closely with reporters and producers on the morning shows to translate on-air stories into compelling online reads with added depth, clarity, and visual flair.

Brian Crane

Brian Crane – Digital Content Producer

When news breaks, Brian Crane is often one of the first to jump into action. His sharp writing, speed, and attention to detail make him a key player in our real-time news operation.

Brian helps lead the charge on urgent stories, crime reports, statewide alerts, and high-interest headlines. He’s also skilled at identifying viral stories early—amplifying the kind of content readers care about most, from gas price changes to breaking Amber Alerts.

He works behind the scenes but plays a frontline role in making sure WKYC’s digital coverage is complete, accurate, and fast.

Dave "Dino" DeNatale

Dave DeNatale – Digital Content Producer & Sports Contributor

Dave “Dino” DeNatale is a must-follow for Cleveland sports fans. As part of the digital content team, he delivers everything from instant reaction to detailed context—often within minutes of the final buzzer.

Dave covers Browns games, high school football, and breaking sports news with enthusiasm and insight. He’s also a frequent contributor to WKYC’s live digital coverage and streaming platforms, where his passion for local teams shines through.

From trade rumors to hometown heroes, Dave helps sports fans stay informed and entertained with coverage that’s timely, trustworthy, and uniquely Cleveland.

Tyler Carey

Tyler Carey – Senior Digital Content Producer

One of the most recognizable bylines on WKYC.com belongs to Tyler Carey. Whether you’re checking Guardians box scores, following a major trial, or reading a Cleveland nostalgia piece, Tyler likely had a hand in it.

Known for his clean writing and deep sports knowledge, Tyler is a digital newsroom veteran who thrives on breaking news and long-form storytelling alike. He brings journalistic instinct and fast turnaround to everything from city politics to championship parades.

He’s also one of our go-to producers on election nights and special coverage events, balancing speed and precision when every update counts.

Chris Beeble

Chris Beeble – Digital Video Producer

The visuals that bring our digital coverage to life? That’s often the work of Chris Beeble. As our Digital Video Producer, Chris takes raw footage, interviews, and b-roll and turns it into polished, high-impact video content that drives storytelling forward.

Whether it’s a breaking news reel, an emotional community feature, or a documentary-style special, Chris knows how to shape stories in ways that inform and move people. His editing work appears across WKYC.com, YouTube, and social platforms—elevating our coverage through smart, engaging visuals.

He’s also part of the team helping transition broadcast content to the digital world, giving every great story a second life online.

Anna Meyer

Anna Meyer – Digital Journalist & Social Content Creator

Anna Meyer is part journalist, part digital strategist. She creates content with an eye for engagement, helping WKYC.com connect with audiences through social-first storytelling and mobile-friendly features.

Whether she’s covering a trending lifestyle topic or producing an interactive post, Anna brings creativity and clarity to her work. She’s also one of the key voices behind WKYC’s Instagram and TikTok presence, translating news into formats that resonate with younger audiences.

From audience polls to explainers, Anna helps WKYC meet people where they are—with the stories that matter most to them.

Justin McMullen

Justin McMullen – Digital Content Producer

Justin McMullen brings energy, focus, and fresh perspective to the WKYC digital desk. With a strong eye for trending topics and community impact, Justin plays a key role in identifying stories that matter to Northeast Ohio—often before they hit other newsfeeds.

From breaking updates to feature writing, Justin contributes across all platforms and helps strengthen our 24/7 coverage with consistency and clarity. He’s especially tuned into how digital audiences consume news in real time and works to ensure WKYC remains responsive, accurate, and engaging at every turn.

Whether it’s a developing news alert or a thoughtful explainer, Justin’s work adds depth and speed to our digital reporting.

A Digital Team That Powers WKYC Every Day

These are the people working long after the newscast ends. The ones fact-checking a headline before you see it on your screen. The team building WKYC Studios into not just a TV station—but a 24/7 digital news source for Northeast Ohio.

They collaborate with producers, photojournalists, and reporters to make sure our content is timely, thoughtful, and relevant. Whether it’s a winter storm, a playoff run, or a story that makes you smile—if it’s on WKYC.com, you can bet someone on this team helped get it there.

Why It Matters

In today’s fast-paced, screen-first world, having a strong digital team is no longer optional. It’s essential. Our digital content producers are more than just behind-the-scenes editors—they’re frontline journalists guiding how, when, and where stories are told.

Their work helps keep our community informed, safe, and connected. And they’re doing it with care, urgency, and a passion for what makes Northeast Ohio home.

So next time you get a push alert from WKYC, click a headline in your feed, or share a story with your friends, know this: there’s a dedicated team behind it, making sure you get the news you need—when it matters most.

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Frank's Take: Do Local TV Stations Still Need Network Affiliations to Survive?

By Frank Macek

For as long as I’ve worked in television, the network affiliation was sacred. It meant credibility, a pipeline to prime-time hits, and a symbiotic relationship that helped both national networks and hometown stations thrive. But as I look around today—at streaming growth, audience behavior shifts, and changes inside our own walls—I can’t help but wonder:

Do local stations still need their network affiliations? Or are we inching closer to a time when we can—and maybe should—stand on our own?

This isn’t just a hypothetical question. It’s one I hear more and more in hallways, control rooms, and editorial meetings. And it’s a conversation worth having.

The Affiliate Model: What We Owe It

To be clear, I’m not here to downplay the impact of affiliations. I’ve seen firsthand how NBC's reach, programming, and brand recognition can elevate a station like WKYC. From the Super Bowl to special coverage of breaking national news, the network gives us built-in content we could never produce alone.

For many stations, especially in medium and small markets, the affiliate model provided financial stability and legitimacy. We had top-tier shows driving viewers into our local newscasts. That led to ad revenue, higher ratings, and a public that knew where to turn at 6 and 11.

But times have changed. And fast.

Audiences Don’t Watch the Way They Used To

Ask a young viewer how they watch TV and the answer probably isn’t “on Channel 3 at 8 p.m.” It’s “on my phone,” “on YouTube,” or “when I have time.” Appointment television is evaporating. DVRs, streaming apps, and fast-forward buttons have flattened the programming curve.

Worse, many viewers don’t even know what network a show is on anymore—they just know they watched it on Peacock, Hulu, or Netflix.

Networks know this, which is why they’ve aggressively pushed into direct-to-consumer streaming. NBC has Peacock. CBS has Paramount+. ABC feeds into Hulu. FOX has Tubi. That means the content we used to rely on to draw viewers is now easily available—without us.

That’s a major shift in leverage. And it begs the question: if networks can deliver directly to viewers, where does that leave affiliates?

The Power We Do Have: Localism

If you take away everything else—Hollywood dramas, national news cut-ins, live sports—the one thing local stations can still own is local content. And that’s not something viewers can find on Netflix.

At WKYC, we’ve leaned hard into this. Our “GO!” morning show is a perfect example: personality-driven, community-centered, and distinctly Northeast Ohio. We aren’t trying to compete with cable news or the streamers. We’re being ourselves—and that works.

You can’t stream a breaking weather alert for your backyard from Los Angeles. You can’t hear your neighbor’s story of survival or inspiration from a national desk. You can’t watch a local investigation change policy at city hall on Amazon Prime.

That’s where our value lives. In being local. In being live. In being us.

Reinvention Is Already Happening

The truth is, some stations have already gone independent—and are thriving. Take WJXT in Jacksonville, WHDH in Boston or WANF in Atlanta. All have or will leave their network affiliations and will survive by leaning into local programming, syndication, and brand building.

Would it work for everyone? No. But it proves it’s possible. Especially for stations ready to invest in original content and control their own destiny.

We’re also seeing this play out in real time through digital. More stations are launching 24/7 streaming channels. WKYC+ is one example. Whether you’re on a Roku device, smart TV, or smartphone, you can find our content—live newscasts, replays, special reports, and exclusive features—all without flipping through cable.

That’s freedom. That’s reach. And it’s only the beginning.

Control Equals Creativity

Here’s something insiders know: network partnerships come with restrictions. On how much ad time we control. On how we schedule shows. On what kind of brand identity we can fully develop.

Stations that go independent? They’re free to make bold programming moves. Add more local shows. Run specials. Stream exclusive content. Fill time with what their communities want—not what’s on a national feed.

Yes, it’s harder. There’s more risk. More hours to fill. But there’s also more room to grow.

And let's not forget ownership groups like TEGNA are already planning for this reality. They're investing in centralized production systems like CUEZ and Sony ELC, branding hubs like The Hive, and group-level streaming solutions that allow for massive scaling of original content. These aren’t just experiments. They’re contingency plans.

What We’d Lose Without a Network

Now let’s be honest: walking away from a network isn’t without consequences.

• You lose access to live sports—still one of the few things people watch in real time.

• You lose the brand equity of a network logo next to your call letters.

• You lose network-promoted eyeballs for your local news.

And there’s real financial risk. Syndicated content costs money. So does producing more hours of news. Stations need a rock-solid team and strong community roots to pull this off.

But ask yourself: what happens when the networks decide to scale back affiliations anyway? Or pull more shows behind paywalls? The pivot may not be optional forever.

What Comes Next

I believe we’re heading toward a hybrid future.

Some stations will double down on network partnerships and ride it out as long as possible. Others—especially those with strong digital strategies—will become mini media companies. They’ll operate like streamers, own their platforms, and build direct relationships with their audiences.

We’re already seeing that shift. WKYC is streaming more, publishing more, experimenting more. And our viewers are watching on their own terms. Not because of a time slot, but because of trust.

So, to answer the original question: Do local stations need network affiliations to survive?

No. But they do need strong identities, loyal communities, and fearless leadership.

The network was always the launchpad. It’s up to us to build what’s next.

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Remembering Edward M. Miller: Veteran WKYC-TV Reporter and Respected Journalist

By Frank Macek

Edward M. “Ed” Miller, a familiar face to Northeast Ohio viewers during the late 1970s and early 1980s, passed away peacefully in Naples, Florida, at the age of 75. Known for his calm authority and journalistic tenacity, Miller left behind a legacy defined by fearless reporting, professional integrity, and a passion for public service through broadcast journalism.

Miller rose to prominence at WKYC-TV, Cleveland’s NBC affiliate, during a transformative period for local news. In 1979, the station expanded its evening newscast to a full hour—a significant programming shift for the time. It was during this reshaping of WKYC’s news format that Miller stepped into a leading role, anchoring alongside Mona Scott during the crucial 6 p.m. hour. His steady on-air presence and thoughtful delivery quickly earned him the trust of viewers across Northeast Ohio.

Colleagues recall Miller as a consummate professional in the newsroom—unflappable under pressure and deeply invested in telling the stories that mattered most. Whether covering local government, crime, or the concerns of everyday citizens, he approached each assignment with curiosity and conviction. He was not one to seek the spotlight, but rather to shine it where it belonged: on the facts.

By 1982, Miller remained a visible figure in WKYC promotions, described in a vintage station advertisement as “Ed Miller – News Reporter,” a testament to his continued role as a respected member of the reporting staff. During his years in Cleveland, he was part of a broader wave of talent at WKYC, which at the time was an NBC-owned station known for nurturing on-air professionals who often went on to distinguished careers elsewhere.

Following his tenure in Cleveland, Miller continued his journalistic journey in Washington, D.C., where he built a reputation as a “crime-fighting reporter” with a sharp instinct for investigative work. Friends and colleagues in the capital described him as fearless in his pursuit of the truth and deeply empathetic toward the people affected by the stories he covered.

Off the air, Miller was a beloved family man known for his warmth, wit, and humility. Despite the demands of his profession, he always made time for his loved ones and remained grounded in his values. His retirement years were spent in Naples, where he remained active in community affairs and journalism circles, occasionally mentoring younger reporters.

Edward M. Miller’s passing marks the end of a remarkable chapter in broadcast journalism. His career bridged two cities and spanned decades of dramatic change in the media landscape. Yet through it all, his dedication to honest reporting and public trust never wavered.

He is survived by his wife, children, grandchildren, and countless viewers and colleagues who were touched by his work. In remembering Ed Miller, we honor not just a journalist, but a storyteller who helped shape how a community understood itself—one report at a time.

READ MORE: Ed Miller's Obituary CLICK HERE

WKYC ARTICLE: CLICK HERE

EDITOR NOTE: My thanks to Dave DeNatale and Matt Hein who helped contribute to this report.

WATCH FROM THE ARCHIVES:

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Where Are They Now: Chris Tye's Journey from WKYC to Investigative Impact in Chicago

By Frank Macek

Chris Tye (Courtesy: WBBM-TV)

If you watched Channel 3 News in Cleveland anytime during the 2000s and 2010s, you probably remember the polished delivery and sharp reporting of Chris Tye. For 15 years, Chris was a staple at WKYC, covering everything from big breaking stories to thoughtful investigations, always with a calm presence that viewers trusted. But like many journalists who put in their time in Cleveland, Chris eventually moved on. So—where is he now?

Turns out, Chris didn’t just leave Northeast Ohio for the sake of it—he went home. After his long tenure at WKYC, Chris returned to his roots in Chicago, where he grew up in the suburb of Oak Park. In 2019, he joined CBS News Chicago (WBBM-TV) as a weekend evening anchor and political reporter, marking a full-circle moment in his career. For Chris, it wasn’t just about taking on a new job—it was about telling the stories of the city where he was raised and getting a chance to reconnect with family and friends after years away.

Even in Chicago, his storytelling instincts haven’t changed. Chris has built a strong reputation for his investigative reporting. One of his standout series exposed how the Illinois Department of Children and Family Services had been shackling foster children during transport. The public outcry was swift, and more importantly—so was the response from lawmakers. New legislation was introduced and passed, banning the practice. It’s one of those moments that reminds you why good journalism still matters. Another story led to major changes at the state’s unemployment office after his reporting uncovered that thousands of residents had their Social Security numbers mistakenly mailed out due to a clerical error. Chris doesn’t just chase headlines—he digs deep, holds people accountable, and creates real impact.

You can still see the same passion he brought to WKYC in the way he handles big breaking news in Chicago. During the 2022 Highland Park parade shooting, Chris anchored 12 straight hours of live coverage—a marathon effort that brought facts and calm to a deeply shaken community. He’s also covered presidential campaigns, the Kenosha unrest, and major issues around policing and public safety. Through it all, Chris remains composed, prepared, and genuinely invested in the people affected by the stories he tells.

Chris Tye & Robin Swoboda

What’s always stood out about Chris—even back in his WKYC days—is that he has the ability to connect. He can break down complex political topics without making it feel like a lecture. And even when he’s reporting on emotionally heavy material, he never loses sight of the human side. That kind of storytelling isn’t easy. It takes empathy, skill, and a lot of experience—which he definitely has after more than two decades in the business.

Cleveland played a big role in shaping Chris Tye as a journalist. His work here helped him fine-tune his voice, take on difficult subjects, and establish his identity on the anchor desk. Many of us who worked with him—or just watched him—knew he had the talent and drive to go even further. It was only a matter of time before a larger market called him back.

But what’s nice to see is that Chris hasn’t forgotten where he came from. He’s still connected with colleagues and friends in Cleveland. Every once in a while, you’ll catch him making a nod to WKYC or reminiscing about stories from his Ohio days. And for those of us who remember tuning into Channel 3 and seeing him on the anchor desk of Channel 3 News Today, Channel 3 News at 7 or in the field, it’s rewarding to know he’s doing meaningful, impactful work—and still holding onto the same journalistic values he showed here.

He’s also balancing a busy career with family life. Chris is now a husband and dad, living on Chicago’s North Side. And while the job demands haven’t slowed down, you can tell from his interviews and online presence that he’s found a good balance between the newsroom and home.

Erin Kenney, Chris Tye & Hollie Strano

In a world where so many TV journalists bounce from market to market, chasing promotions and ratings, Chris has taken a path that feels grounded. He’s not just anchoring shows and filing political pieces—he’s using the platform to make change and to elevate important conversations in his community. That’s something we all can appreciate, whether you’re in Chicago, Cleveland, or anywhere else.

So where is Chris Tye now? He’s exactly where he’s meant to be: back in his hometown, doing work that matters, and proving that thoughtful, in-depth local journalism still has a place in today’s world. For those of us who remember his time in Cleveland, it’s gratifying to see someone who left a positive impression here go on to even greater things—without losing what made him great in the first place. 

You can reach Chris: CJTYE@CBS.COM

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Frank's Take: Is Streaming the Future—or Can Local TV Still Win the Long Game?

By Frank Macek

We’ve all felt the shift. There was a time when local TV ruled the evening. You’d turn on the 6 p.m. news to catch the weather forecast, a live report from City Hall, or highlights from the high school football game. Now? Many viewers are watching everything—from drama series to breaking news—on-demand, on mobile, and on platforms that didn’t even exist ten years ago.

Streaming has taken over the media world. But where does that leave local television? Can the trusted, boots-on-the-ground newsrooms that once connected entire communities survive in the age of Netflix, YouTube, and TikTok?

More importantly, can they thrive?

Let’s dig in. Because while streaming is here to stay, local TV may still have a few tricks up its sleeve.

The Streaming Boom Changed Everything

There’s no denying it: streaming has flipped the script. People don’t want to wait for a broadcast when they can get alerts, clips, and even live coverage on their phones. National outlets like NBC News Now or CBS News Streaming Network are producing sleek, always-on content tailored for digital audiences.

And with smart TVs, tablets, and streaming sticks, it’s just easier than ever to skip traditional TV altogether. A quick tap gets you directly to whatever you want: a true crime docuseries, your favorite sitcom, or breaking national headlines.

This shift hit local stations hard. Once the default choice for news, weather, and sports, local newscasts are now competing not only with each other—but with the entire internet.

And yet, something interesting is happening.

Local TV Isn’t Dying. It’s Reinventing Itself

Across the country, local TV stations are starting to adapt to the streaming era. They’re launching branded apps, producing digital-exclusive shows, and creating streaming channels that operate 24/7. These aren’t just reruns of the 5 or 6 o’clock news—they’re fresh formats with younger hosts, interactive graphics, and real-time audience engagement.

Take WKYC+ here in Cleveland, for example. They’ve added new shows like “GO!” from 7–9 a.m., streaming exclusively on their app and website. It’s still local—same weather, traffic, and headlines—but built for viewers who want something more modern than the typical morning show.

This isn’t just happening in big cities. Even smaller-market stations are testing out FAST (Free Ad-Supported Streaming TV) channels, launching YouTube live streams, or simulcasting newscasts on Roku and Fire TV.

Why? Because local stations know they have to meet the audience where they are now—not where they were in 2005.

What Local TV Still Does Best

Here’s what local TV has going for it—and why it’s still essential, even in a streaming-first world:

- Community Connection: No national network will send a reporter to cover your city council meeting or investigate a problem on your street. Local stations live where you live. They understand the context, the people, and the real impact of a story.

- Weather Authority: During snowstorms, severe thunderstorms, or tornado outbreaks, local meteorologists are still the most trusted source. They’re live, they’re tracking the radar, and they’re warning your exact neighborhood—not just a general region.

- Breaking News: When something happens locally—a shooting, a school lockdown, a missing child—viewers still turn to their local station, often through a push alert or live stream, for the fastest updates.

- Personalities You Know: Anchors and reporters aren’t just faces on a screen—they’re part of the community. Viewers build relationships with them over time.

But the Challenges Are Real

Local TV faces a huge challenge: declining viewership and ad revenue. The traditional ratings model doesn’t reflect how people actually consume content anymore. A 6 p.m. newscast may have fewer live viewers—but that same story might get 100,000 views on Facebook or YouTube.

Unfortunately, ad dollars haven’t fully caught up. Streaming ads often bring in less revenue than traditional broadcast commercials. And while stations are investing in digital content, the return isn’t always fast.

Plus, talent is being stretched. Anchors are now writing web stories, reporters are editing their own video for Instagram, and producers are juggling both live newscasts and live digital streams. It’s a lot.

The “Streaming First” Future: Friend or Foe?

Some media groups are now pushing a “streaming first” model. TEGNA, for instance, is developing tech like CUEZ and launching new FAST channels for stations across the country. Gray Television is investing in local content for its streaming platforms. Scripps has leaned hard into its OTT strategies.

But here’s the catch: not every station has the resources, staff, or technical capability to fully compete in the streaming world. Launching a 24/7 streaming channel sounds great—but it takes time, money, and a lot of content.

And yet, viewers expect it. They want their local station to be as accessible as Netflix. They want to watch news on their own schedule—not just at 6 or 11.

So stations are left in a tight spot: evolve fast… or risk becoming irrelevant.

The Good News? There’s Opportunity

Despite the challenges, this transition is opening doors for local TV to be more creative, more nimble, and more responsive than ever before.

- Original Streaming Content: Local stations can tell longer, deeper stories without time constraints. Documentaries, web series, lifestyle shows—they’re all on the table.

- Niche Targeting: Want to reach young adults in your city? Create a sports-focused stream or a podcast for college students. Want to serve older viewers? Build a nostalgia channel with archived local newscasts or community features.

- Live Community Engagement: Live Q&As, town halls, school board coverage—streaming allows stations to connect directly with the public in ways traditional broadcasts never could.

- Expanded Reach: Streaming opens local content to a global audience. Former Clevelanders in Arizona can still watch WKYC. A storm report might go viral nationwide. The reach is massive if the content hits the right note.

So, Can Local TV Win the Streaming Game?

The short answer: yes—but only if it adapts fast and smart.

This isn’t about turning every local station into the next Netflix. It’s about using the tools of streaming to enhance what local TV already does well. That means:

- Making content more accessible and shareable.

- Rethinking format and timing.

- Investing in digital talent and training.

- Focusing on the local advantage—the stories only they can tell.

It also means redefining success. Maybe a 5 p.m. newscast doesn’t pull a 6 rating anymore—but the Facebook clip from that story hits 500K views. That’s impact. That’s reach. That’s the future.

Final Thought: It’s Not Either/Or

Streaming isn’t killing local TV. It’s reshaping it.

We’re in a hybrid era now. Some people still watch the 11 p.m. news on their TV with a cup of tea. Others scroll TikTok at midnight and catch headlines in 60-second bites. The smartest stations aren’t picking one path—they’re doing both.

Local newsrooms aren’t going away. They’re evolving. And if they play their cards right, they’ll still be here long after today’s streaming giants fade into the next new thing.

Because at the end of the day, local still matters.

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Then and Now with Leon Bibb: A New Chapter in Cleveland Storytelling

By Frank Macek

Cleveland’s rich tapestry of history and transformation has a new storyteller—and it’s someone who knows the city better than most. WKYC Studios has launched a new series titled "Then and Now with Leon Bibb," and it’s a powerful blend of journalism, personal narrative, and a heartfelt tribute to the places that shaped Northeast Ohio in conjunction with the Cleveland Public Library.

As someone who’s worked alongside Leon, I can tell you this: no one delivers a story quite like him. With a voice that’s as familiar as it is trusted, Bibb brings both reverence and insight to every location he visits. His new series isn’t just a walk through old buildings or long-forgotten photos—it’s a rediscovery of Cleveland’s soul.

A Journalist's Legacy

Leon Bibb made history as Ohio’s first African American primetime news anchor. After decades delivering the day’s top stories to viewers across the region, Leon retired from the anchor desk in 2017—but journalism never left his heart. He returned to WKYC in 2018 as a senior commentator, and "Then and Now" is the next evolution of his storytelling legacy.

This series places Bibb at the center of the community once again—this time as a historical guide, exploring landmarks that have witnessed the passage of time and transformation. From bustling public markets to fading theaters, each episode is a window into the past and a look forward.

Stories That Matter

One of the most compelling episodes so far focuses on Cleveland’s beloved West Side Market. With a $70 million renovation in the works, the Market stands as both a historic institution and a living piece of the city’s identity. Leon’s coverage reminds us that this isn’t just a building—it’s where generations have gathered, shared culture, and supported local families.

Another standout episode takes us inside the Variety Theatre on Lorain Avenue. Once alive with vaudeville acts and classic films, the theater had fallen into disrepair. Now, efforts are underway to restore the building to its former glory. Bibb’s tour through the space is more than nostalgic—it’s a call to preserve our cultural touchstones before they’re gone.

And then there’s the Cleveland Public Library, celebrating its centennial. In a world that’s gone increasingly digital, Bibb explores how this enduring institution has evolved while staying true to its mission. He reminds us that libraries are more than shelves of books—they’re archives of our shared experience.

Leon’s Signature Touch

What makes Then and Now so special isn’t just the history—it’s how Leon Bibb tells it. His deep personal ties to Cleveland and genuine love for the city give the series a tone that’s both intimate and authoritative. You’re not just learning facts—you’re hearing from someone who’s lived these stories, walked these streets, and reported on these very places for generations.

WKYC is giving viewers more than a history lesson; it’s giving us context for the places we pass every day, and pride in how far we’ve come.

Why This Matters

In a media world focused on breaking news and fast content, Then and Now slows things down in the best possible way. It gives viewers time to reflect, remember, and reimagine. And with Leon Bibb at the helm, every episode becomes a masterclass in storytelling.

This series is a gift to Cleveland—a reminder that our city’s stories didn’t end with the last newscast or demolition permit. They continue to evolve, and thanks to Then and Now, they’re being preserved with dignity, passion, and truth.

Catch Then and Now with Leon Bibb on WKYC.com or during scheduled newscasts. Trust me—it’s worth every moment.

Stay tuned—and stay curious!

Watch past episodes:

- West Side Market Renovation: CLICK HERE 

- Inside the Variety Theatre: CLICK HERE

- 100 Years of the Cleveland Public Library: CLICK HERE

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GO! Goes Bigger: WKYC Launches Extended 7–9AM Streaming Show on WKYC+ June 9th

By Frank Macek

WKYC Studios is taking your morning routine to the next level.

Starting Monday, June 9th, Northeast Ohio viewers will be able to catch another two full hours of GO! from 7 to 9 a.m.—exclusively on WKYC+, our free streaming channel. It’s a first-of-its-kind move for the station, designed to deliver more of the content you love, wherever and whenever you want to watch.

The new streaming edition of GO! brings the same trusted team of local personalities—Danita Harris, Dave Chudowsky, Matt Wintz, Brissa Bradfield, Candice Hare, David Greenberg and Monica Robins—to a platform that fits into your schedule and your screen of choice, whether that’s a smart TV in the kitchen, your phone on the go, or a tablet by the bedside.

It’s everything you already count on from Channel 3 News—just a little later and a lot more accessible.

What’s New About This GO!?

The 7–9 a.m. block of GO! is not a repeat or a simulcast of the TV broadcast—it’s a fully live and locally produced show, offering new content and updated information. Whether you’re catching up after the kids are off to school or just starting your day, WKYC+ gives you a second chance to connect with the stories, weather, and conversations that matter most.

And the best part? It’s completely free to stream.

Meet the Streaming Team

You already know them. Now you’ll get even more time with them.

- Danita Harris brings deep experience and unmatched heart to Northeast Ohio mornings. Her commitment to community-centered storytelling and positive news is at the core of what GO! is all about.

- Dave Chudowsky delivers a grounded, approachable take on the day’s headlines, morning talkers, and major sports stories. His on-air chemistry with Danita continues to shine in the new streaming format.

- Matt Wintz is your go-to source for real-time, accurate weather—delivered with the kind of clarity and energy that gets you out the door prepared, no matter the season.

- Brissa Bradfield keeps your commute smooth with the latest traffic updates and travel trends around Northeast Ohio. Whether you’re hitting I-480 or navigating downtown, she’s got your back.

Together, they bring the same energy, warmth, and journalistic integrity to WKYC+ that you’ve come to expect every weekday morning on TV.

What You’ll See on the Extended GO!

This new streaming hour is designed for flexibility, offering viewers more of what they want—news, weather, and community—without the rigid structure of a traditional broadcast.

Expect to see:

- Breaking News Updates – Stay informed about what’s happening now in Northeast Ohio and beyond.

- Extended Forecasts – Matt Wintz dives deeper into weather trends, impacts, and hour-by-hour predictions.

- Live Traffic Reports – Brissa Bradfield brings up-to-the-minute traffic info to help you navigate backups and delays.

- Community Spotlights – Inspiring and uplifting stories about the people, places, and programs that make Northeast Ohio special.

This isn’t just news—it’s news that works around your life.

How to Watch WKYC+

Watching WKYC+ is easy and free. You don’t need cable or a login—just an internet connection.

Here’s how to get started:

- On Smart TVs – Search “WKYC+” in your Roku, Amazon Fire TV, or Apple TV app store and download the app.

- On Phones or Tablets – Download the WKYC app from the App Store or Google Play, then tap the “Watch” tab.

- On Desktop – Visit wkyc.com/watch and stream directly from your browser.

- No Fees, No Signup – It’s that simple. Just open the app or webpage and start watching.

Whether you’re on the couch, at the office, or traveling, WKYC+ brings GO! to you wherever you are.

Why It Matters

As viewer habits change, WKYC is staying ahead of the curve by making local news more available and convenient. The expansion of GO! onto WKYC+ reflects a newsroom that listens to its audience and adapts to serve them better.

This new two-hour streaming show ensures that you don’t miss a beat—no matter what time you wake up. It’s smart, fast-paced, and deeply connected to the community we all call home.

So, starting June 9th, make a little extra room in your morning for GO!—now streaming from 7 to 9 a.m. on WKYC+. It’s more of the show you already trust, now on your terms.

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