Skip to main content

Frank's Take: Why Public Media Is Worth Fighting For

By Frank Macek

I remember the first time I heard the voices on NPR drifting through my family’s kitchen like a warm breeze. I was eight years old. It was early morning, and the smell of coffee filled the air while Bob Edwards calmly shared the news of the world on "Morning Edition." That moment stuck with me. It was the first time I realized news didn’t have to shout at you to get your attention. It could be gentle, thoughtful, and full of truth. It could invite you in.

Public media has always done that. And now, it’s under threat. Recent legislation by former President Donald Trump and his allies in Congress to eliminate funding for the Corporation for Public Broadcasting (CPB) isn’t just a budget line being slashed. It’s a deeper cut — one into the heart of our civic life, our culture, our identity as a nation that values knowledge, empathy, and community.

Let’s be clear: public media isn’t a luxury. It’s a lifeline. And if we allow that line to be cut, we all lose.

Whether it’s PBS’s masterful storytelling on "Frontline," Ken Burns’ breathtaking historical documentaries, or the soulful morning banter of local NPR hosts, public media has an unmatched ability to educate, inform, and inspire. It reaches 99% of American households. It serves rural areas commercial outlets overlook. It broadcasts in times of emergency. It teaches our children. It gives voice to the voiceless. And it does all this on the slimmest of budgets.

Less than $2 per American per year goes to support the CPB. That’s it. That’s the cost of a cup of coffee. For that price, we get programs like "Sesame Street," which has helped generations of children learn to read, count, and treat others with kindness. In Northeast Ohio, we get stations like WKSU/WCPN and WCLV on the radio side and WVIZ on tv side. Nationally, radio stations like KQED in San Francisco, or WNYC in New York, put local issues under the microscope when no one else will. We get reporters who bring facts, not fluff.

Public media exists for the public good, not for profit. That’s a rare thing in today’s information age, where algorithms often dictate what we see and hear. Public media doesn’t chase clicks. It chases clarity. It respects its audience enough to challenge them, to tell them the truth, and to treat them as citizens, not consumers. In a time when democracy itself feels fragile, when misinformation spreads faster than facts, and when trust in institutions is at a record low, we should be doubling down on the one institution that still consistently earns the public’s trust: public media.

Polling from the Knight Foundation and Gallup has shown public media remains among the most trusted sources of news in the United States. Not cable news. Not social media. Public media.

If the proposed funding cuts move forward, more than 1,500 local public radio and television stations would face severe reductions or closures. That means rural areas, already underserved by commercial outlets, could lose their only local news source. Teachers would lose free educational tools. Seniors and low-income families could lose access to cultural programming and critical weather alerts.

Let’s think about that. This isn’t just about the coasts. It’s about communities in Kansas, Mississippi, Ohio, Montana — places where PBS or NPR may be the only nonpartisan news source. This is about schoolchildren in Appalachia who rely on PBS LearningMedia in classrooms. It’s about hurricane warnings that come across the public airwaves in Florida or wildfire alerts in California. We cut funding for public media, and we silence these voices.

For all the talk of fiscal responsibility, cutting public media funding is a false economy. The CPB’s federal funding acts as seed money. Stations use it to leverage private donations, corporate sponsorships, and local partnerships. Every federal dollar generates about six additional dollars. You cut that initial investment, and the whole funding ecosystem begins to crumble. Meanwhile, what do we gain from defunding? A minuscule budget reduction — 0.01% of federal spending. That’s pennies in a trillion-dollar budget. It’s like fixing a leaky roof by throwing away the whole house.

I get it — some critics say public media has a bias. But I challenge anyone to spend a week truly engaging with it — listening to a full broadcast of "All Things Considered," watching "PBS NewsHour," or exploring local investigative pieces from stations like WBEZ or KPBS — and not come away with a broader understanding of the world. Public media makes you smarter, not angrier.

And what’s more, it reflects us. It gives us symphonies from across the nation, folk music from our forgotten towns, stories from immigrants and veterans, from Native communities and new citizens. It brings together a tapestry of voices that commercial media often ignores. In doing so, it reminds us we are more alike than we are different.

As someone who’s worked in television for decades, I’ve seen the contrast up close. Commercial pressures are relentless — the ad buys, the ratings battles, the brand deals. And while there’s nothing wrong with striving for profit, it shouldn’t be the only model. We need space for something quieter. Something braver. Something like public media. I’ve had the honor of working alongside journalists who started their careers at NPR affiliates or PBS stations. The training they received there — rooted in ethics, in fairness, in deep reporting — carried into everything they did later. Public media isn’t just a content provider; it’s a training ground. A standard bearer.

So what can we do? We can speak up. Call your representatives. Email your senators. Demand that public media funding not only be preserved but strengthened. We can donate, if we’re able, to our local stations. We can tell our friends why it matters. We can turn the volume up on the quiet voice that has been keeping us informed, inspired, and connected for more than 50 years.

President Trump and members of Congress: this isn’t about politics. It’s about people. Real people. People like the child learning to read in Tulsa. The grandmother in Montana who tunes in for her favorite symphony. The college student in Cleveland getting a deeper understanding of the world.

You want to build a stronger America? Don’t silence one of its most unifying voices. Support public media. It’s the best $2 you’ll ever spend.

I welcome your feedback. Email me at fmacek@gmail.com

---------------
**EDITOR NOTE: "Frank's Take" articles are the expressed written opinions of the blogger and not necessarily those of WKYC-TV or TEGNA Media.

The Most Popular Posts from the Director's Cut Blog

Natalie Clydesdale Joins WKYC Studios and the 3News Team

Natalie Clydesdale By Frank Macek A fresh, dynamic voice is joining the ranks of 3News, and her name is Natalie Clydesdale. Beginning Monday, May 19, Natalie steps into her new role as a multi-skilled journalist at WKYC Studios, bringing experience, passion, and a true love for storytelling to the Northeast Ohio community. Originally from Pittsburgh, Natalie is excited to return closer to her roots. With family already in Northeast Ohio, this move not only marks a professional milestone but also a personal one. Her familiarity with the region and its people gives her a unique perspective that will no doubt enhance her ability to tell the stories that matter most. Natalie arrives in Cleveland from KFOR-TV, the NBC affiliate in Oklahoma City, where she worked as a morning anchor and reporter. During her time there, she became known for her calm presence during breaking news coverage and her ability to connect with viewers in meaningful ways. Before that, she worked in Fort Wayne, Indian...

Where Are They Now? - Connie Dieken

Connie Dieken This month, we asked Connie Dieken to share with us some exclusive information on our Director's Cut Blog about what she has been up since leaving the WKYC family in our "Where Are They Now Feature?" We have video of Connie anchoring the 11 pm news at the end of the story. Connie spent 16 years broadcasting the news to Cleveland television viewers, beginning at Channel 3 in 1984. Her first duties at the station were as weekend anchor and consumer reporter. She quickly moved up and joined co-anchor Tom Sweeney on the anchor desk for the 5 PM broadcast...and became a main anchor of Channel 3 News at 6 & 11 PM. Her work garnered numerous high profile communication awards including Emmys, Tellys and being named Best TV Host by Cleveland Magazine. Viewers always loved Connie for her friendly & warm approach to bringing them the news of the day. Also during her stay at Channel 3, she married former Browns offensive lineman Doug Dieken. Her q...

Where Are They Now: Sara Shookman Shines with Storyglow Studio and Spectrum News 1

by Frank Macek Sara Shookman For nearly a decade, viewers across Northeast Ohio welcomed Sara Shookman into their homes each evening as one of the trusted anchors of WKYC’s 3News. Her calm presence, journalistic integrity, and genuine connection with the Cleveland community made her a standout among local broadcasters. So, when Sara stepped away from her full-time role at WKYC in late 2022 to focus on family and new creative ventures, it left many wondering — what was next? As it turns out, plenty. Today, Sara Shookman is writing a compelling new chapter in her professional life — one that combines storytelling, community impact, and a continued connection to Ohio television. At the center of her current journey is Storyglow Studio , a creative content firm she founded with a mission to help nonprofits and purpose-driven organizations tell their stories with authenticity and heart. Storyglow Studio is built on the belief that powerful storytelling can inspire action. Sara and her t...

Job openings at WKYC Studios & TEGNA Media Ohio for 7/15/25

By Frank Macek WKYC Studios has these job openings available if you are looking for a rewarding career experience with us at TEGNA Media's Cleveland location. We've also now added opportunities for our sister TEGNA stations in Columbus and Toledo, Ohio courtesy of the Director's Cut Blog. Current WKYC/Cleveland Job Openings Account Executive   Investigative Producer   Meteorologist Multi-Skilled Journalist News Director Current WBNS/Columbus Job Openings Account Executive Creative Marketing Producer Managing Editor Multi-Skilled Journalist Photojournalist Current WTOL/Toledo Job Openings Account Executive Broadcast Director/PT   Multiskilled Journalist Sales Coordinator **NEW** You can also find other jobs within our parent company on the  TEGNA Career Page . Please note, you must apply via the website. Mailed applications are not accepted. Follow Frank Macek for new postings on X  @MacekNewsNation  or on Facebook at  fb/frank.macek

Where Are They Now?: Andrew Horansky

By Frank Macek If you watched WKYC during the mid-to-late 2010s, chances are you remember Andrew Horansky. With his thoughtful tone, strong on-air presence, and reporter’s instinct for the human side of the story, Horansky became a familiar face to viewers in Northeast Ohio. He joined Channel 3 in April 2015 after a long and well-traveled journalism career that took him across the country—and even overseas.  At WKYC, he served as both a general assignment reporter and weekend anchor, quickly making his mark with in-depth storytelling and a knack for covering both breaking news and community features with equal skill. Horansky brought a broad resume to Cleveland. Prior to arriving at WKYC, he had reported in Houston Austin, Chicago, Boston, Traverse City and Dubuque and was also known for his international reporting, including coverage from Iraq, Pakistan, Haiti and Sri Lanka. That global perspective, combined with a clear, calm delivery, made him a trusted presence on Cleveland air...

WKYC Studios Names Jeff Hoffman News Director

Jeff Hoffman, Courtesy: WKMG-TV CLEVELAND, OH (May 6, 2025) — WKYC Studios, TEGNA’s NBC affiliate serving Northeast Ohio, today announced that veteran broadcast executive Jeff Hoffman has been named news director, effective May 19, 2025. Hoffman will be responsible for overseeing the station’s news content across all platforms, including streaming, broadcast, and digital. Hoffman brings more than three decades of award-winning news and station leadership experience to the role, most recently serving as vice president and general manager of WKMG-TV in Orlando, where he led a dramatic turnaround of the station’s brand and performance, guiding the newsroom to #1 in late news and overseeing award-winning coverage. Before joining WKMG, Hoffman held news leadership roles in several top markets, including WAVE-TV in Louisville and WJZ-TV in Baltimore, WIS-TV in Columbia, and KNBC-TV in Los Angeles. He is a multiple Edward R. Murrow Award and National Association of Broadcasters’ Service to Am...

Frank's Take: Let Producers Produce - Why the Future of News Demands a Return to Editorial Focus

By Frank Macek Walk into any newsroom today like WKYC, and you’ll likely find a familiar scene: a news producer juggling scripts, timing out live elements, coordinating with reporters in the field, updating rundowns—and, increasingly, triggering automation commands, punching live shots, cueing graphics, and managing tech workflows in real-time. In many markets, the days of a dedicated director or technical director operating behind the glass are becoming rare, replaced by a one-size-fits-all philosophy: if the system can be automated, the producer can run it. But just because the technology can allow producers to control more of the technical process doesn't mean they should. We’re reaching a critical moment in broadcast news where we need to seriously re-evaluate the role of the producer. If the future of news is going to be faster, smarter, and more responsive, producers must be freed to focus on what they were hired to do: produce. Let’s be clear—producing is not just “stacking ...

Where Are They Now: Amy Murphy (Hasten)

Former WKYC chief forecaster Amy Murphy (formerly Hasten) is our feature this time around on "Where Are They Now?". Amy was a very popular part of WKYC's weather forecasting team during the 1990s along with Mark Nolan and Eileen McShea. After leaving Cleveland, Amy headed to Miami - then finally onward to Los Angeles where we find her these days. Amy Murphy joined the FOX 11 and MY 13 News teams in April of 2006. You can see her regularly on FOX 11 News Saturday and Sunday editions doing the weather. She is also a general assignment reporter during the week, reporting for "FOX 11 News at 10PM," "My 13News at 11 PM" and "Good Day LA" on occasion. Most recently Amy worked in Phoenix as the morning and noon weather forecaster and entertainment reporter. It was there that she earned two Emmy nominations for her coverage for the 2002 Winter Olympics in Salt Lake City. Amy's career has spanned the country from KUSA-TV in Denver, where she was t...

GO! Goes Bigger: WKYC Launches Extended 7–9AM Streaming Show on WKYC+ June 9th

By Frank Macek WKYC Studios is taking your morning routine to the next level. Starting Monday, June 9th, Northeast Ohio viewers will be able to catch another two full hours of GO! from 7 to 9 a.m.—exclusively on WKYC+, our free streaming channel. It’s a first-of-its-kind move for the station, designed to deliver more of the content you love, wherever and whenever you want to watch. The new streaming edition of GO! brings the same trusted team of local personalities—Danita Harris, Dave Chudowsky, Matt Wintz, Brissa Bradfield, Candice Hare, David Greenberg and Monica Robins—to a platform that fits into your schedule and your screen of choice, whether that’s a smart TV in the kitchen, your phone on the go, or a tablet by the bedside. It’s everything you already count on from Channel 3 News—just a little later and a lot more accessible. What’s New About This GO!? The 7–9 a.m. block of GO! is not a repeat or a simulcast of the TV broadcast—it’s a fully live and locally produced show, offeri...

Frank's Take: Do Local TV Stations Still Need Network Affiliations to Survive?

By Frank Macek For as long as I’ve worked in television, the network affiliation was sacred. It meant credibility, a pipeline to prime-time hits, and a symbiotic relationship that helped both national networks and hometown stations thrive. But as I look around today—at streaming growth, audience behavior shifts, and changes inside our own walls—I can’t help but wonder: Do local stations still need their network affiliations? Or are we inching closer to a time when we can—and maybe should—stand on our own? This isn’t just a hypothetical question. It’s one I hear more and more in hallways, control rooms, and editorial meetings. And it’s a conversation worth having. The Affiliate Model: What We Owe It To be clear, I’m not here to downplay the impact of affiliations. I’ve seen firsthand how NBC's reach, programming, and brand recognition can elevate a station like WKYC. From the Super Bowl to special coverage of breaking national news, the network gives us built-in content we could ne...

Total Pageviews